Bio

Australian-born Judy-Ann Moule is a doctoral candidate at The National Art School, Sydney. Her practice-based research embodies the convergence of vulnerability and violence as a visual language of repair – through an integrated process of making, of materials and ideas as a reparative aesthetic. Using bodily materials and gesture, across mediums of installation, performance and sound she means to provoke.  In her recent exhibition just enough, the performance remains – the continuous line of hair that encircles the gallery space, at crutch height – remains only as a trace or scar but once seen it is hard to forget.

Moule has exhibited nationally and internationally.

Most recently solo exhibitions ’just enough’, Hoff Gallery, National Art school and ‘heaviness of distance’, ArticulateUpstairs, Leichhardt, Sydney and collaborative performance work aka I am knitting, and uncompleted gestures weigh heavily, Articulate Project Space, Sydney and a solo exhibition at Factory 49, Sydney.

As well as collaborative work with the international group ‘What’s Your location?’  at Bigscreen Southend, London, Brazil Bookfair and Contemporary Art Platform, Kuwait.

Previous exhibitions include Platform for Emerging Arts #8, Leyden Gallery, East London, Per | Form, CAP Kuwait, Culor from East & West MOMA Kuwait;  Derive, Queensland College of Art, Brisbane, Australia; ROADTRIP 2013, Lockup Cultural Centre Newcastle, Australia; Metro Arts Gallery, Brisbane; ‘The Block’ Gallery Brisbane;  West Wall Gallery Iceland; Sunshine Coast University Gallery; QUT Art Museum as well as artist-run initiatives – Busy Brick and Soylent Spot ARI’s Level (QLD), Inbetweenspaces (Fortitude Valley).

MY DETAILS

Studio:        Annex, National Art School,

                     Darlinghurst, Sydney

Mobile:       +61 407742152

Email:         jam@judyannmoule.com

CV

  • (2019-22)
    • Doctoral Candidate, National Art School, Sydney
  • (2019)
    • Intensive Creative Research Program, Ruth Hadlow, Hobart
    • Considering Practice, Leisa Shelton at Studio 167, Noosa Hinterland
  • (2018)
    • Ideas Development Masterclass, Hobat
    • Sensibilities of Place Masterclass with Ruth Hadlow, Cooran
  • (2017)
    • Plural possibilities: diversity in practice Summer Masterclass 2017, Canberra
  • (2016)
    • Museums Interventions Masterclass, Marrickville, Sydney
  • (2012)
    • MA(Research) QUT, Brisbane, Australia
  • (2008)
    • BFA(Honours) Visual Arts, QUT Brisbane, Australia
  • (2007)
    • BFA Visual Arts, QUT Brisbane, Australia
  • (1975)
    • Diploma of Occupational Therapy, Sydney University

 

SOLO EXHIBITIONS

  • (2021)
    • just enough, Hoff Gallery, National Art School, Sydney.
    • Heaviness of Distance, Articulate Upstairs, Leichhardt, Sydney
  • (2017)
    • Noisy, Factory 49, Marrickville, Sydney
  • (2012)
    • Wigwam for a goose’s bridle, Metro Arts, Brisbane, Australia
    • Open Studio, Holl House, Seydisfjordur, Iceland
    • Belly button, Skaftfell Visual Arts Centre, Seydisfjordur, Iceland
  • (2011)
    • Haptically Speaking, The Block, QUT Kelvin Grove, Brisbane,
    • Memory Sense, University of Sunshine Coast, Maroochydore,
  • (2010)
    • Cut, stuck, tuck, H Block Gallery, QUT Kelvin Grove, Australia
  • (2006)
    • Isolation-32 plus1, Heath Gallery, QUT Art Museum, Brisbane

SELECTED GROUP EXHIBITIONS

  • (2020)
    • Agency of Visible Women,Beecroft Art Gallery, South-end-on-sea, London,UK 
  • (2019)
    • Group Textile show, Factory 49, Marrickville, Sydney
    • Annual group show, Factory 49, Marrickville, Sydney
  • (2018)
    • Uncompleted Gestures Weigh Heavily, String Along Exhibition, Articulate, Sydney
    • What’s Your Location? Focal Point Gallery, Big Screen Southend, England
    • Group Small Sculpture exhibition, Factory 49,Marrickville
  • (2017)
    • Factory 49 Annual Group Show, Marrickville, Sydney
    • Not declared…50 laps, Social Ghosts Exhibition, Soylent Spot ARI, Brisbane
  • (2016)
    • Practice on Waiting, ARI Busy Brick, Brisbane
    • What’s your Location, Contemporary Art Platform, Kuwait
    • Sadi, Re-Interpreting Sadu Weaving, Sadu House, Kuwait
  • (2015)
    • Platform for Emerging Arts #8, Leyden Gallery, London, UK
    • Colours of East and West, MOMA, Kuwait
  • (2014)
    • Per | Form, Contemporary Art Platform, Kuwait
    • Derive, Queensland College of Art, Brisbane, Australia
  • (2013)
    • Human Family–Anabasis, Trans-Art-Symposium, Warsaw, Poland
    • ROAD TRIP 2013, The Lockup Cultural Centre, Newcastle, Australia
  • (2011)
    • Split, Level Gallery, Newstead, Brisbane
  • (2010)
    • Present, Level Gallery, Newstead, Brisbane
    • Fresher… Inbetweenspaces, Fortitude Valley
    • Unsaid, White Canvas Gallery, Brisbane, Australia
  • (2009)
    • Revenge of RSK, Brisbane, Australia
  • (2008)
    • RSKII, the Block, QUT Cultural Precinct, Brisbane
  • (2007)
    • The Shape of Things to come the Block, QUT Cultural Precinct, Brisbane, Australia

RESIDENCES

  • (2021)
    • Articulate Project Space, Leichhardt, Sydney
  • (2014)
    • Textilsetur Residency, Blonduos, Iceland
  • (2012)
    • The Birgir Andresson residency, Skaftfell Centre for Visual Arts, Iceland

AWARDS, PRIZES, RESIDENCES, COMMISSIONS

  • (2014)
    • Textile Centre Residency, Blonduos, Iceland
  • (2012)
    • The Birgir Andresson residency, Seydisfjordur, Iceland
  • (2009-11)
    • QUT Postgraduate Research Award
  • (2008)
    • Dean’s list for excellence in academic performance
  • (2007)
    • Dean’s list for excellence in academic performance
  • (2004)
    • Commissioned art project, Greenslopes Hospital, Brisbane
    • Commissioned art project, St. Andrews Hospital, Brisbane
  • (2000)
    • Commissioned art project, Sutherland Towers, Brett’s Wharf II, Brisbane
  • (1998)
    • Commissioned art project, Brett’s Wharf I, Hamilton, Brisbane
    • Commissioned art project, Marriott Hotel, Brisbane
  • (1995)
    • Studio Queensland Artworkers Alliance, Brisbane

Judy-ann Moule